September 19, 2014
"The three things that you want to try to do in a campaign… is define yourself—meaning you define the candidate before your opponent defines him or herself. The second is define your opponent before the opponent defines himself or herself and the third thing is you define the stakes of the election. You make the election about something most beneficial to you."

Neil Oxman, Political media strategist 

Oxman is the founder of The Campaign Group, which has managed ad campaigns for more than 700 races around the country. Ahead of the Congressional elections, he joins Fresh Air to talk about what works and what doesn’t.

(via nprfreshair)

September 19, 2014

cerceos:

Corey Arnold

Fish-Work: The Bering Sea

September 19, 2014

(Source: cirion, via naturama)

September 19, 2014

(Source: klystrons, via a-precis)

September 19, 2014

(via 01111992)

September 19, 2014
antoinecordet:


Antoine Cordet
BUT THE FLAMINGO’S IDEA; Acrylic on linen

antoinecordet:

Antoine Cordet

BUT THE FLAMINGO’S IDEA; Acrylic on linen

(via bacteriia)

September 19, 2014

whatisajanis:

Adam Gumula by Bell Soto

(via princesteele)

September 19, 2014
sweetestesthome:

Bright hallwayClick to check a cool blog!Source for the post: Click

sweetestesthome:

Bright hallway

Click to check a cool blog!

Source for the post: Click

(via princesteele)

September 18, 2014
stunningpicture:

It’s all a matter of perspective

stunningpicture:

It’s all a matter of perspective

(via princesteele)

September 18, 2014

asylum-art:

The work of Robyn Cumming

Robyn Cumming’s aesthetic can be described as Steel Magnolias gone awry, but in the best way possible. Working from the heaps and piles of the stereotypical female imagery we all know and love (or love-to-hate, depending on your own alignments), the Toronto-based artist creates a body of work exploring, exploiting, and evolving the ordinary into something a little more sinister, and far more eccentric. Her own clever bio sums it all up, quipping, “If [Cumming] were an emotion, [she] would be laughing that turns into coughing…and then dry-heave style crying.”

Decomposing iconography of womanhood and the clichés of femininity, she creates disturbing portraits of awkward, stiff figures, gorgeously delicate photographs of middle aged women, complete with mascara tears, and domestic interior landscapes of disturbed sixties suburbia, shag carpet and all.

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(via a-precis)